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Colin Matthews, OBE (born 13 February 1946) is an English composer of contemporary classical music. Noted for his large-scale orchestral compositions, Matthews is also a prolific arranger of other composer's music, including works by Berlioz, Benjamin Britten, John Dowland, Mahler, Purcell and Schubert. Other arrangements include of all Debussy's 24 Préludes, both books of Debussy's Images, and two movements— Oiseaux tristes and La vallée des cloches—from Ravel's Miroirs. Having received a doctorate from University of Sussex on the works of Mahler, from 1964–1975 Matthews worked with his brother David Matthews and musicologist Deryck Cooke on completing a performance version of Mahler's Tenth Symphony.
The BBC commission Broken Symmetry was first performed by its dedicatees, the BBC Symphony Orchestra under Oliver Knussen, in March 1992, and repeated at the 1992 Proms. It was recorded in 1994, together with the Fourth Sonata and Suns Dance, by Deutsche Grammophon (a Grammy Award nomination); and it forms the third part of the huge choral/orchestral Renewal, commissioned by the BBC for the 50th anniversary of Radio 3 in September 1996. Renewal received the 1997 Royal Philharmonic Society Award for large-scale composition. The Dutch première of Cortège was given in December 1998 by the Concertgebouw Orchestra under Riccardo Chailly. The ballet score Hidden Variables, incorporating a new orchestral work, Unfolded Order, was commissioned by the Royal Ballet for the reopening of the Royal Opera House in December 1999.
Colin Matthews' chamber music includes five , two , a Divertimento for double string quartet (1982), and a substantial body of piano music. Between 1985 and 1994 he completed six major works for ensemble: Suns Dance for the London Sinfonietta (1985, reworked for the Royal Ballet as Pursuit), Two Part Invention (1987), The Great Journey (1981–88)—re-released on NMC Recordings— Contraflow, commissioned by the London Sinfonietta for the 1992 Huddersfield Festival, and two commissions for the Birmingham Contemporary Music Group, Hidden Variables (1989) and ...through the glass (1994), the latter given its first performance under Simon Rattle, who also conducted it in 1998 at the Proms and in Salzburg. Matthews' music was featured at the Almeida Festival in 1988, at the Bath Festival in 1990, at Tanglewood where he has been visiting composer many times since 1988, at the 1998 Suntory Summer Festival in Tokyo, at the 2003 Avanti! Festival in Finland, and the 2004 Berlin Festival.
The year 2000 saw four major premières: Two Tributes for the London Sinfonietta; Pluto, an addition to Gustav Holst's The Planets, for the Hallé Orchestra and Kent Nagano, now widely performed; Aftertones, for the Huddersfield Choral Society; and Continuum, a large-scale work for soprano and ensemble commissioned by the Birmingham Contemporary Music Group for Cynthia Clarey and Simon Rattle, with performances in London, Cologne, Brussels, Amsterdam, Vienna and Birmingham. In the spring of 2001 the Philharmonia orchestra gave the first performance of Matthews' Horn Concerto, with Richard Watkins and Esa-Pekka Salonen. Also in 2001 he was commissioned to write a Fanfare to open the BBC Proms. Reflected Images, for Michael Tilson Thomas and the San Francisco Symphony Orchestra, received its première in October 2003.
Colin Matthews' 60th birthday was marked by 5 performances given at the 2006 BBC Proms. Recent works have included Berceuse for Dresden, written for the rebuilt Frauenkirche in Dresden and first performed there in November 2005 with the cellist Jan Vogler and the New York Philharmonic under Lorin Maazel; and Turning Point, commissioned by the Concertgebouw Orchestra and given by them under Markus Stenz in January 2007. His Violin Concerto was given by Leila Josefowicz and the City of Birmingham Symphony Orchestra under Oliver Knussen in September 2009.
From 2001 to 2010 Matthews was Associate Composer with the Hallé Orchestra, and is now their Composer Emeritus. During this period he wrote a number of works for them, as well as a project involving the orchestration of all 24 of Debussy's Preludes, completed in May 2007 and recorded by Sir Mark Elder on the Hallé label. Alphabicycle Order, a major work for children's chorus, narrator and orchestra to poems by Christopher Reid, was premiered by the Hallé under Edward Gardner as part of the 2007 Manchester International Festival, and is also recorded on the Hallé label, together with the Horn Concerto. Commissioned by the Hallé Orchestra as part of their Mahler centenary celebrations, his Crossing the Alps for Chorus and Organ, on a text by William Wordsworth (The Prelude, Book VI), was first performed by the Hallé Choir, conducted by Markus Stenz, at the Bridgewater Hall, Manchester, in January 2010. Its German premiere, also under Stenz, was in the Philharmonie in Cologne, in January 2011, with the MDR Radio Chorus.
Three works were premiered in 2011 : Night Rides for the London Sinfonietta; No Man’s Land, to a text by Christopher Reid, for the City of London Sinfonia with soloists Ian Bostridge and Roderick Williams; and Grand Barcarolle for the Leipzig Gewandhaus Orchestra and Riccardo Chailly as part of their Beethoven cycle presented in Leipzig, Vienna, Paris and London in autumn 2011. No Man’s Land won the 2012 British Composer Award for vocal music. Matthews' Fourth Quartet was given its first performance by the Elias Quartet at the Wigmore Hall in November 2012 and won the 2013 British Composer Award for chamber music. Nowhere to Hide for piano trio was premiered at the 2013 Cheltenham Festival by the Schubert Ensemble. His work Traces Remain, which takes its name and inspiration from a book of essays by Charles Nicholl, was premiered on 8 January 2014 at the Barbican Centre, London by the BBC Symphony Orchestra conducted by Sakari Oramo, and was broadcast live by BBC Radio 3.
In 2014 he wrote Spiralling for Spira Mirabilis, The Pied Piper of Hamelin to words by Michael Morpurgo for the London Philharmonic Orchestra and Vladimir Jurowski, and a Fifth String Quartet for the 75th anniversary of Tanglewood. More recently Matthews has focused on works for voice and ensemble - A Land of Rain (2017) to words by Nicholas Moore and Baudelaire for the Birmingham Contemporary Music Group, As Time Returns (2018) to words by Ivan Blatný for the London Sinfonietta and Seascapes (2020) to words by Sidney Keyes for the Nash Ensemble.
Music written during the lockdown period (2020 - 22) includes Mosaics for orchestra, first performed by the London Symphony Orchestra in May 2023; an arrangement for piano trio of Beethoven’s Fifth Symphony commissioned by Leonidas Kavakos, YoYo Ma and Emanuel Ax and recorded by them in 2022; and an opera in collaboration with William Boyd, A Visit to Friends, for first performance at the 2025 Aldeburgh Festival.
Matthews and his wife Belinda, a publishing executive at Faber and Faber, have three children, Jessie, Dan and Lucy.
He was appointed Officer of the Order of the British Empire (OBE) in the 2011 New Year Honours for services to music.
In 2024 Matthews was nominated for an Ivor Novello Award at The Ivors Classical Awards. Mosaics was nominated for Best Orchestral Composition.
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